samuele2723
New member
ecco cos'ho trovato per chi fosse interessato:
For 24-frame-per-second material, the GT30's 24p Direct In setting gives you a choice of 48Hz (frames per second, with each 24fps frame displayed twice) or 60Hz, which is selected automatically for 60Hz progressive material or interlaced sources such as 1080i. It refreshes the image at 120Hz. (The manual mistakenly says this parameter can also be set to 96Hz, but it can't.)
Choosing 60Hz for 24fps sources adds 3:2 pulldown. Why might you do that? Flicker. Flicker was obvious and annoying on the GT30 in its 48Hz setting. To eliminate it, I used the 60Hz setting for all of my viewing, both 2D and 3D. Converting a 24fps source to 60Hz via 3:2 pulldown is normally considered bad form, but in this case, it produced no obvious artifacts. This didn't surprise me; I've done the same on reviews of Panasonic sets for the past few years (the 24p Direct In feature isn't new) and for the same reason.
non riesco a capire cosa intende nella pate in grassetto
For 24-frame-per-second material, the GT30's 24p Direct In setting gives you a choice of 48Hz (frames per second, with each 24fps frame displayed twice) or 60Hz, which is selected automatically for 60Hz progressive material or interlaced sources such as 1080i. It refreshes the image at 120Hz. (The manual mistakenly says this parameter can also be set to 96Hz, but it can't.)
Choosing 60Hz for 24fps sources adds 3:2 pulldown. Why might you do that? Flicker. Flicker was obvious and annoying on the GT30 in its 48Hz setting. To eliminate it, I used the 60Hz setting for all of my viewing, both 2D and 3D. Converting a 24fps source to 60Hz via 3:2 pulldown is normally considered bad form, but in this case, it produced no obvious artifacts. This didn't surprise me; I've done the same on reviews of Panasonic sets for the past few years (the 24p Direct In feature isn't new) and for the same reason.
non riesco a capire cosa intende nella pate in grassetto